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Brett Meisneradmin
Member since 9-10-02
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10-24-04, 07:26 PM (GMT)
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"Ashlee Simpson Video Clip"
 
LAST EDITED ON 10-27-04 AT 11:45 PM (GMT)
 
A Meisner Exclusive:

http://media.ebaumsworld.com/ashlee-snl.wmv


Brett

"Brett Meisner has helped to put the 'rock' back into 'rock and roll' forever!" - Kurt Loder, MTV 2003

=========

TV: "Dead Famous"-- http://www.rockandrollbadboy.com/TV/brettmeisner_300k.wmv

TV: "VH1 Pilot"-- http://www.rockandrollbadboy.com/vh1/r rbb_vh1_pilot_submission1_256k.wmv

RADIO: "K-TIDE" 99.9 FM-- http://www.rockandrollbadboy.com/audio/brett_ktyd.mp3

PAPER: "New York Post"-- http://entertainment.iwon.com/celebgossip/pgsix/id/09_03_2002_11.html

BOOKS: "30 Odd Years"-- http://www.rockandrollbadboy.com/store.html

MOVIES: FIRST FEATURE FILM - oCTOBER 2004: http://www.imdb.com/name/nm1660133/


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john smith
Member since 10-24-04
3 posts
10-24-04, 10:56 PM (GMT)
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1. "RE: Ashlee Simpson Video Clip"
In response to message #0
 
   >A Meisner Exclusive:
>
>http://media.ebaumsworld.com/ashlee-snl.wmv
>
>
>Brett

http://www.collegehumor.com/news/ashlee_snl.wmv

Nother source!



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Fitz
Member since 8-12-04
351 posts
10-25-04, 04:47 AM (GMT)
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2. "RE: Ashlee Simpson Video Clip"
In response to message #1
 
   Wouldn't the term "Exclusive" mean exclusive to Tubby's site?

Then he posts a link to Ebaumsworld.

Then it's not a "Meisner Exclusive" (but then I haven't really seen one yet)

Fraudboy strikes again and the AMC tracks him down and intellectually beats him like the (fat) dog that he is.

Fitz

Doing my best to rid the world of the "Fraudulent Four" one personality at a time


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danger_man
Member since 9-18-04
178 posts
10-25-04, 05:57 AM (GMT)
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3. "RE: Ashlee Simpson Video Clip"
In response to message #2
 
LAST EDITED ON 10-25-04 AT 06:03 AM (GMT)
 
The Ashlee Simpson event is major!
This site has had anywhere from 200 to over a 1000 unique guests at a time visiting.
Note the number of hits this topic and the other Ashlee topic have gotten.

For the convenience of our new visitors,
I'm trying to find hard-to -find angles on the SNL story.

Falling to "Pieces"

By Heather Havrilesky

Oct. 24, 2004

It happened at the beginning of Ashlee Simpson's second musical performance on "Saturday Night Live." She and her band stood ready to perform the song "Autobiography" when suddenly, mysteriously, her vocal track from her hit song "Pieces of Me" -- which she had already "sung" earlier that evening -- began to play over the loudspeakers. Looking confused and embarrassed, Ashlee did a goofy jig for a few awkward moments, then smiled sheepishly to the audience. Then she slinked offstage. As her band continued to play "Pieces of Me," the guitarist and the bassist exchanging a knowing smirk, and then the show cut to a commercial.

And with one little recording mishap, young Ashlee cashed in whatever counterfeit street cred she and her handlers tried so hard to cultivate.

At the end of the show, Ashlee appeared onstage with host Jude Law to apologize.

 
Law: Ladies and gentlemen, what can I say? Live TV!

Simpson: Exactly! I feel so bad! My band started playing the wrong song, and I didn't know what to do, so I thought I'd do a hoe-down!

The normally rabid live audience reacted with stilted laughter as Ashlee crammed as many "Oops!" and "What can you do?" gestures as possible into her final few seconds on the air. That hapless little-sister, "Sure, I'm pathetic, but in a cute way!" shtick that made her MTV reality show, "The Ashlee Simpson Show," so popular, won her the devotion of scores of fans, and contributed to selling almost two million copies of her debut album, "Autobiography," now wore thin.

Of course, blaming her band and shrugging it all off as an adorable mishap didn't help, and Geffen Records didn't offer much assistance, either, blaming the snafu on a computer glitch, according to an AP report. The company claimed that, instead of pre-taped drums, the computer played a recording of "Pieces of Me." Not a bad excuse -- if they hadn't played a paired-down, raw-sounding vocal track, and not the normal recording.

Like it or not, plenty of pop performers use pre-recorded tracks, and since Simpson's performance on MTV's Music Video Awards in August was roundly criticized as unimpressive and off-key, it's probably not surprising that Ashlee and her handlers would opt to lip-synch. It's also not surprising that Ashlee isn't the best live performer around; after all, she's hardly performed before.
MTV captured her first live performance ever at The Knitting Factory in L.A., replete with promotional fraudience swooning enthusiastically for the cameras. Far from the baby steps most performers take from open-mic nights to small venues, Ashlee was thrust, camera-ready, at age 19, into the drooling maw of the public, hardly given half a chance to come into her own as a songwriter, a performer, or a human being, really.

But just as Ashlee's career was formed in the exhaust of an overhyped publicity vehicle and fueled by a choreographed media dogpile, so might her career go down in flames befitting such a carelessly engineered persona. Hours after the SNL incident, several Websites dug up an interview in Lucky Magazine, where Ashlee professed her disdain for pre-recorded vocals.

Lucky: What are your takes on lip-synching?

Simpson: I'm totally against it and offended by it. I'm going out to let my real talent show, not to just stand there and dance around. Personally, I'd never lip-synch. It's just not me.

Still, no matter how much Ashlee comes under fire for being a fraud -- as if her entire reality show weren't focused on the blatant, unapologetic fabrication of pop celebrity -- Ashlee herself is too young and naive to be held accountable for the countless errors in judgment that have been made in handling her career.

While her father/manager Joe Simpson has been described by the New York Times as a tenacious entrepreneur, you have to question the wisdom of a man who, having transformed his eldest daughter, Jessica, from second-string pop star into reality TV guinea pig and pop cultural punchline, would set his sites on squeezing his more sensitive, emotional daughter into the same celebrity mold. No matter how many times we saw Ashlee stomping her feet and insisting on doing things her way on her show -- which mostly boiled down to which shade of chestnut to dye her blonde hair -- it was always clear that she was a helpless pawn in someone else's intensely profitable game.

Ultimately, her show was a close-up glimpse of Pop Star Day Care. Ashlee was shepherded around town, meeting with the hit songwriters the label hired that week, showing up at her first crowded gig looking petrified, being coached by her sister on how to handle the attention. Maybe, given her sister's trajectory, it seemed perfectly natural to Ashlee and her father that she should launch her career while cameras followed her every move. But who convinced her that it was a good idea to lip-synch?

In a recent New York Times profile of Joe Simpson, Geffen's president Jordan Schur offers some insight into the unmaking of Ashlee Simpson "hen I was arguing with Ashlee and I was firing her producers, and she was crying, 'Dad I'm so upset, do something,' any other manager -- forget father -- would have jumped in," reported Schur. "Joe sat there and didn't open his mouth. He said, 'Listen to Jordan.'"

So what happens to Ashlee now? Given the degree to which most artists are invented by label executives and handlers, given the fact that we've seen this process in slow motion on show's like Ashlee's and Jessica's and "The Making of the Band," why would anyone object to getting a small peak behind the curtain?

Because the public is fickle. Just as her invention as a pop diva captured its imagination, insuring that her album debuted at No. 1 while her sloppily-crafted pop-star self was still half-formed, so will they turn on her for being the fabricated, marketed, propped-up self that they knew she was from the start.

But the real victim is Ashlee, who day in and day out races from one event to the next trying desperately to play her part as an alternative rocker who's actually just a regular, mainstream teenager, as a savvy businesswoman who really doesn't seem to have much say in her career at all, and as a seasoned performer who's actually inexperienced and ill-prepared. As ridiculous as Ashlee might look up there, shrugging and smiling apologetically, it's the puppet master holding her strings who really deserves to be strung up.



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John Kalodner
Member since 10-25-04
3 posts
10-25-04, 08:52 AM (GMT)
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4. "RE: Ashlee Simpson Video Clip"
In response to message #3
 
   >The Ashlee Simpson event is major!
>This site has had anywhere from 200 to over a 1000 unique
>guests at a time visiting.
>Note the number of hits this topic and the other Ashlee
>topic have gotten.
>
>For the convenience of our new visitors,
>I'm trying to find hard-to -find angles on the SNL story.
>
>Falling to "Pieces"
>
>By Heather Havrilesky
>
>Oct. 24, 2004
>
>It happened at the beginning of Ashlee Simpson's second
>musical performance on "Saturday Night Live." She and her
>band stood ready to perform the song "Autobiography" when
>suddenly, mysteriously, her vocal track from her hit song
>"Pieces of Me" -- which she had already "sung" earlier that
>evening -- began to play over the loudspeakers. Looking
>confused and embarrassed, Ashlee did a goofy jig for a few
>awkward moments, then smiled sheepishly to the audience.
>Then she slinked offstage. As her band continued to play
>"Pieces of Me," the guitarist and the bassist exchanging a
>knowing smirk, and then the show cut to a commercial.
>
>And with one little recording mishap, young Ashlee cashed in
>whatever counterfeit street cred she and her handlers tried
>so hard to cultivate.
>
>At the end of the show, Ashlee appeared onstage with host
>Jude Law to apologize.
>

>Law: Ladies and gentlemen, what can I say? Live TV!
>
>Simpson: Exactly! I feel so bad! My band started playing the
>wrong song, and I didn't know what to do, so I thought I'd
>do a hoe-down!
>
>The normally rabid live audience reacted with stilted
>laughter as Ashlee crammed as many "Oops!" and "What can you
>do?" gestures as possible into her final few seconds on the
>air. That hapless little-sister, "Sure, I'm pathetic, but in
>a cute way!" shtick that made her MTV reality show, "The
>Ashlee Simpson Show," so popular, won her the devotion of
>scores of fans, and contributed to selling almost two
>million copies of her debut album, "Autobiography," now wore
>thin.
>
>Of course, blaming her band and shrugging it all off as an
>adorable mishap didn't help, and Geffen Records didn't offer
>much assistance, either, blaming the snafu on a computer
>glitch, according to an AP report. The company claimed that,
>instead of pre-taped drums, the computer played a recording
>of "Pieces of Me." Not a bad excuse -- if they hadn't played
>a paired-down, raw-sounding vocal track, and not the normal
>recording.
>
>Like it or not, plenty of pop performers use pre-recorded
>tracks, and since Simpson's performance on MTV's Music Video
>Awards in August was roundly criticized as unimpressive and
>off-key, it's probably not surprising that Ashlee and her
>handlers would opt to lip-synch. It's also not surprising
>that Ashlee isn't the best live performer around; after all,
>she's hardly performed before.
>MTV captured her first live performance ever at The Knitting
>Factory in L.A., replete with promotional fraudience
>swooning enthusiastically for the cameras. Far from the baby
>steps most performers take from open-mic nights to small
>venues, Ashlee was thrust, camera-ready, at age 19, into the
>drooling maw of the public, hardly given half a chance to
>come into her own as a songwriter, a performer, or a human
>being, really.
>
>But just as Ashlee's career was formed in the exhaust of an
>overhyped publicity vehicle and fueled by a choreographed
>media dogpile, so might her career go down in flames
>befitting such a carelessly engineered persona. Hours after
>the SNL incident, several Websites dug up an interview in
>Lucky Magazine, where Ashlee professed her disdain for
>pre-recorded vocals.
>
>Lucky: What are your takes on lip-synching?
>
>Simpson: I'm totally against it and offended by it. I'm
>going out to let my real talent show, not to just stand
>there and dance around. Personally, I'd never lip-synch.
>It's just not me.
>
>Still, no matter how much Ashlee comes under fire for being
>a fraud -- as if her entire reality show weren't focused on
>the blatant, unapologetic fabrication of pop celebrity --
>Ashlee herself is too young and naive to be held accountable
>for the countless errors in judgment that have been made in
>handling her career.
>
>While her father/manager Joe Simpson has been described by
>the New York Times as a tenacious entrepreneur, you have to
>question the wisdom of a man who, having transformed his
>eldest daughter, Jessica, from second-string pop star into
>reality TV guinea pig and pop cultural punchline, would set
>his sites on squeezing his more sensitive, emotional
>daughter into the same celebrity mold. No matter how many
>times we saw Ashlee stomping her feet and insisting on doing
>things her way on her show -- which mostly boiled down to
>which shade of chestnut to dye her blonde hair -- it was
>always clear that she was a helpless pawn in someone else's
>intensely profitable game.
>
>Ultimately, her show was a close-up glimpse of Pop Star Day
>Care. Ashlee was shepherded around town, meeting with the
>hit songwriters the label hired that week, showing up at her
>first crowded gig looking petrified, being coached by her
>sister on how to handle the attention. Maybe, given her
>sister's trajectory, it seemed perfectly natural to Ashlee
>and her father that she should launch her career while
>cameras followed her every move. But who convinced her that
>it was a good idea to lip-synch?
>
>In a recent New York Times profile of Joe Simpson, Geffen's
>president Jordan Schur offers some insight into the unmaking
>of Ashlee Simpson "hen I was arguing with Ashlee and I
>was firing her producers, and she was crying, 'Dad I'm so
>upset, do something,' any other manager -- forget father --
>would have jumped in," reported Schur. "Joe sat there and
>didn't open his mouth. He said, 'Listen to Jordan.'"
>
>So what happens to Ashlee now? Given the degree to which
>most artists are invented by label executives and handlers,
>given the fact that we've seen this process in slow motion
>on show's like Ashlee's and Jessica's and "The Making of the
>Band," why would anyone object to getting a small peak
>behind the curtain?
>
>Because the public is fickle. Just as her invention as a pop
>diva captured its imagination, insuring that her album
>debuted at No. 1 while her sloppily-crafted pop-star self
>was still half-formed, so will they turn on her for being
>the fabricated, marketed, propped-up self that they knew she
>was from the start.
>
>But the real victim is Ashlee, who day in and day out races
>from one event to the next trying desperately to play her
>part as an alternative rocker who's actually just a regular,
>mainstream teenager, as a savvy businesswoman who really
>doesn't seem to have much say in her career at all, and as a
>seasoned performer who's actually inexperienced and
>ill-prepared. As ridiculous as Ashlee might look up there,
>shrugging and smiling apologetically, it's the puppet master
>holding her strings who really deserves to be strung up.
>
Thanks for posting that artticle

JDK


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Ashleesimpson FAN
Member since 10-25-04
3 posts
10-25-04, 02:13 PM (GMT)
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6. "RE: Ashlee Simpson Video Clip"
In response to message #4
 
I have a question.... what dose "Ashlee did a goofy jig for a few
>awkward moments, then smiled sheepishly to the audience" mean lis did she do a little dance or what??? whats this mean¿¿¿
Kt


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Sha_Freak_a
Member since 10-25-04
1 posts
10-25-04, 01:11 PM (GMT)
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5. "RE: Ashlee Simpson Video Clip"
In response to message #0
 
How unprofessional of her to walk off stage then apologize for her band's mistake. It wasn't the band's fault some behind the scenes people started the wrong intro music. She should have waited it out and sang the song again-roll with the punches. Her band didn't walk off stage-they couldn't, they were plugged in and they just kind of shrugged it off and played on.

She's just a young, silly, unprofessional "street" version of her dingy sister.

Ashlee, bleach your hair back to its original color and be the dumb blonde everyone expects you to be.

Yah well...there you go.


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sludge
Member since 8-5-04
34 posts
10-25-04, 03:33 PM (GMT)
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7. "RE: Ashlee Simpson Video Clip"
In response to message #0
 

A must read interview:

http://www.bandhammer.com/hammered/bmeisner.php

-----------------------------
Brett Meisner - Quote:
you guys are so fucking juvenile!


Welcome to Sludge Hollywood!
-----------------------------


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Brett Meisneradmin
Member since 9-10-02
1474 posts
10-25-04, 05:47 PM (GMT)
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8. "RE: Ashlee Simpson Video Clip"
In response to message #7
 
Whta does my interview have to do with Ashley Simpson?

Brett

"Brett Meisner has helped to put the 'rock' back into 'rock and roll' forever!" - Kurt Loder, MTV 2003

=========

TV: "Dead Famous"-- http://www.rockandrollbadboy.com/TV/brettmeisner_300k.wmv

TV: "VH1 Pilot"-- http://www.rockandrollbadboy.com/vh1/r rbb_vh1_pilot_submission1_256k.wmv

RADIO: "K-TIDE" 99.9 FM-- http://www.rockandrollbadboy.com/audio/brett_ktyd.mp3

PAPER: "New York Post"-- http://entertainment.iwon.com/celebgossip/pgsix/id/09_03_2002_11.html

BOOKS: "30 Odd Years"-- http://www.rockandrollbadboy.com/store.html

MOVIES: FIRST FEATURE FILM - oCTOBER 2004: http://www.imdb.com/name/nm1660133/


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noel71
Member since 10-25-04
3 posts
10-25-04, 07:14 PM (GMT)
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9. "RE: Ashlee Simpson Video Clip"
In response to message #0
 
   What pisses me off now is everybody protecting her by giving her a chance to make up more shit to explain what happened. Tonight the RMA in the morning the Today Show etc. etc. Just let her career as a singer die!! Its about time someone gets busted for it. Im surprised nobody said anything about Britney on Ryen Seacrest


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Brett Meisneradmin
Member since 9-10-02
1474 posts
10-25-04, 08:40 PM (GMT)
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10. "RE: Ashlee Simpson Video Clip"
In response to message #9
 
>What pisses me off now is everybody protecting her by giving
>her a chance to make up more shit to explain what happened.
>Tonight the RMA in the morning the Today Show etc. etc. Just
>let her career as a singer die!! Its about time someone gets
>busted for it. Im surprised nobody said anything about
>Britney on Ryen Seacrest

Ashlee got busted 100%. There's always a shadow of doubt with the others. Ashlee RAN OFF STAGE during a LIVE broadcast.

Our industry is a tough one - Ashlee will have to live with it.

Brett

"Brett Meisner has helped to put the 'rock' back into 'rock and roll' forever!" - Kurt Loder, MTV 2003

=========

TV: "Dead Famous"-- http://www.rockandrollbadboy.com/TV/brettmeisner_300k.wmv

TV: "VH1 Pilot"-- http://www.rockandrollbadboy.com/vh1/r rbb_vh1_pilot_submission1_256k.wmv

RADIO: "K-TIDE" 99.9 FM-- http://www.rockandrollbadboy.com/audio/brett_ktyd.mp3

PAPER: "New York Post"-- http://entertainment.iwon.com/celebgossip/pgsix/id/09_03_2002_11.html

BOOKS: "30 Odd Years"-- http://www.rockandrollbadboy.com/store.html

MOVIES: FIRST FEATURE FILM - oCTOBER 2004: http://www.imdb.com/name/nm1660133/


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CousinMurdock
Member since 10-17-04
326 posts
10-25-04, 09:07 PM (GMT)
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11. "RE: Ashlee Simpson Video Clip"
In response to message #10
 

>
>Ashlee got busted 100%. There's always a shadow of doubt
>with the others. Ashlee RAN OFF STAGE during a LIVE
>broadcast.
>
>Our industry is a tough one - Ashlee will have to live with
>it.

I'm sure she play the 'victim card' as many do rather than just take their punishment.

This really shows that some 'performers' are pushed on the American people no matter how little talent they have and others never get a chance.

Look at Britney. Why on earth would anyone be paying attention to her after all this time? Because sex sells more than talent!!


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Ialwaysreturn
Member since 9-7-04
676 posts
10-26-04, 05:28 AM (GMT)
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12. "RE: Ashlee Simpson Video Clip"
In response to message #10
 
   Our industry????
What the hell are you talking about fat boy????? You aren't in any industry.......

>>What pisses me off now is everybody protecting her by giving
>>her a chance to make up more shit to explain what happened.
>>Tonight the RMA in the morning the Today Show etc. etc. Just
>>let her career as a singer die!! Its about time someone gets
>>busted for it. Im surprised nobody said anything about
>>Britney on Ryen Seacrest
>
>Ashlee got busted 100%. There's always a shadow of doubt
>with the others. Ashlee RAN OFF STAGE during a LIVE
>broadcast.
>
>Our industry is a tough one - Ashlee will have to live with
>it.
>
>Brett


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noel71
Member since 10-25-04
3 posts
10-26-04, 06:07 AM (GMT)
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13. "RE: Ashlee Simpson Video Clip"
In response to message #12
 
   Well im sad to say that Katie Couric was soft on Ashlee and let her come up with yet another excuse (acid reflux)for the lip-synching. Im getting the feeling that the company that owns NBC also owns Ashlees label. I think its time for say RollingStone for instance to do a cover story like "Lip-synching Who does it, why and is it the death of real music" cause it used to be only a handful of "artists" who did it, now who knows how many live shows are faked. It makes me long for punk music from the 80s. I would love to see someone try to lip-synch to Bad Brains. I will give $10 to whoever could pull that one off


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noel71
Member since 10-25-04
3 posts
10-26-04, 07:02 AM (GMT)
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14. "RE: Ashlee Simpson Video Clip"
In response to message #10
 
   Well im sad to say that Katie Couric was soft on Ashlee and let her come up with yet another excuse (acid reflux)for the lip-synching. Im getting the feeling that the company that owns NBC also owns Ashlees label. I think its time for say RollingStone for instance to do a cover story like "Lip-synching Who does it, why and is it the death of real music" cause it used to be only a handful of "artists" who did it, now who knows how many live shows are faked. It makes me long for punk music from the 80s. I would love to see someone try to lip-synch to Bad Brains. I will give $10 to whoever could pull that one off


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Brett Meisneradmin
Member since 9-10-02
1474 posts
10-26-04, 10:40 PM (GMT)
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15. "RE: Ashlee Simpson Video Clip"
In response to message #14
 
>Well im sad to say that Katie Couric was soft on Ashlee and
>let her come up with yet another excuse (acid reflux)for the
>lip-synching. Im getting the feeling that the company that
>owns NBC also owns Ashlees label. I think its time for say
>RollingStone for instance to do a cover story like
>"Lip-synching Who does it, why and is it the death of real
>music" cause it used to be only a handful of "artists" who
>did it, now who knows how many live shows are faked. It
>makes me long for punk music from the 80s. I would love to
>see someone try to lip-synch to Bad Brains. I will give $10
>to whoever could pull that one off

The Bad Brains would be easy to lip-synch - just throw up on the mic!

I'm not a big "fake punk rock" fan: (from my "Ask Brett" area)

Thanks for your email, Scott! This is a sticky topic for me - but I never back down from anything. Have you ever noticed that when people start a new “trend” and that “trend” quickly fails they then call it “underground” – as if “everything is going along exactly as we planned!” We’ll that’s exactly what happened with “Punk Rock” and so-called “Hardcore.” A few dozen gay-bashing, ugly, talentless jocks assholes from Southern California, Washington, DC and New York City do not make for a “cultural movement.” There were a few bands, such as: The Germs, Black Flag, Minor Threat, Social Distortion, The Circle Jerks, The Misfits, Fear, and The Dead Kennedys. These bands had several things in common: 1) they all were part of a terribly unsuccessful so-called musical movement in the early to mid 1980s. 2) They were all comprised of ugly hate-filled white guys who couldn’t get laid if their lives depended on it; and 3) they completely fucking sucked! Seriously, they couldn’t play a song to save their lives. Not one of these bands had a single hit song. Not one of these bands had an ounce of charisma! And most importantly – and proving my point – not one of these repressed-homo bands is around today!

However, you can attract just as many flies with shit as you can with honey… That being said there were a few kids in the 1980s who thought it’d be cool to pretend to like these bands and embrace every pile of unimaginative crap they spewed. You know the kids I’m talking about. In fact, according to the latest census report there were three of these kids in every town: The tall and oafish Mexican kid with the “Misfits” shirt and “flock of seagulls” hairdo, and the black sweater tied around his waist; The skinny white guy with the leather jacket and nine-inch Mohawk who is afraid of a everything and looks like he’s seconds away from bawling his eyes out at all times; and last but not least, the chubby Filipino-Mexican girl with the sides of her head shaved and the black nubby nails. She’s usually sporting some hideous dress with black combat boots and cheesy black makeup. Basically these kids are the biggest fucking losers on the planet – so of course they’re going to love “Hardcore” because they’re just so…um... oh, whatever.

My point is simple. The bands sucked, the music sucked, the fans sucked – yet, no one had the balls to admit it! Why? Because none of them were cool enough to make up their own minds. There was no leader in this movement and therefore it went nowhere. As I stated before, if there was any validity to the music it would still be around today. Pussy bands call them fags! Seals and Crofts, Kenny Loggins, hell, even the Captain and Tenille came before these “Hardcore” clowns and they beat the punks down into “forget me land!” Do you think one punk band sold more than 5,000 records ever? Never! 100% documented fact. The sad part is that you still find that one random asshole who looks back all the way to 1985 and remembers the “good ol days.” They talk about the punk bands as if they’re describing something good or even relevant. And to add insult to injury – they’re even lying about their lies. They’ll say: “Man, I remember me and my friends were at the Dead Kennedy’s show and there must have been like 6,000 kids all stage diving and shit – we were so wasted. It was crazy. They fucking played for like 3 hours.” Just try and verify any of the “facts” of one of those stories. The kid telling it is 28 years old, meaning he was 11 years old at the time. The Dead Kennedys never played for more than 200 or 300 people ever during their entire careers. The kid lived in Omaha at the time, etc… You get my point.

Punk rock and its so-called “Hardcore” scene is the only failed cultural movement that cannot admit that is did not succeed. “Break Dancing” was 1,000 times more effective as an art form than anything from those punk bands. The music blew, the bands blew and so did the fucking sheep-like fans that helped perpetuate this pathetic myth. Ask any of these so-called “punk” fans to name some of their heroes and chances are maybe one of them might possibly utter Henry Rollins name. Why do they remember him? Cause he was like the third or fourth singer for the most over-rated band on the planet? No they probably remember him from his very “hardcore” role in the 1998 movie “Jack Frost” starring Michael Keaton! That’s right - Hey all you “hardcore” fans, stop burning the blacks and stomping the Jews long enough to watch your punk idol Henry talk to a freaking snowman. Maybe he’ll stage dive from a snow bank! Anarchy, indeed!

I know Henry. He’s a nice guy. But even he knows the whole thing was a farce. As for the rumors of Henry being gay. They’re false. He dates women. Although the fact that he writes poetry, lifts weights and likes to jump into piles of shirtless sweaty men probably doesn’t help. In short, the whole punk rock and hardcore scene was and is in fact indeed "underground" - as in, dead and buried like a faceless hobo who died on a street corner in a puddle of his own feces. I hope this helped answer your question. ;=)

Peace out - Brett

"Brett Meisner has helped to put the 'rock' back into 'rock and roll' forever!" - Kurt Loder, MTV 2003

=========

TV: "Dead Famous"-- http://www.rockandrollbadboy.com/TV/brettmeisner_300k.wmv

TV: "VH1 Pilot"-- http://www.rockandrollbadboy.com/vh1/r rbb_vh1_pilot_submission1_256k.wmv

RADIO: "K-TIDE" 99.9 FM-- http://www.rockandrollbadboy.com/audio/brett_ktyd.mp3

PAPER: "New York Post"-- http://entertainment.iwon.com/celebgossip/pgsix/id/09_03_2002_11.html

BOOKS: "30 Odd Years"-- http://www.rockandrollbadboy.com/store.html

MOVIES: FIRST FEATURE FILM - oCTOBER 2004: http://www.imdb.com/name/nm1660133/


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Sir Walter Wankerman
Member since 8-21-04
120 posts
10-27-04, 01:45 AM (GMT)
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16. "RE: Ashlee Simpson Video Clip"
In response to message #15
 
   I'm not a big "fake punk rock" fan: (from my "Ask Brett" area)

Your like a fucking band who releases countless greatest
hits albums........Time for some new material Big B .



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Fitz
Member since 8-12-04
351 posts
10-27-04, 05:57 AM (GMT)
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17. "RE: Ashlee Simpson Video Clip"
In response to message #15
 
   LAST EDITED ON 10-27-04 AT 06:05 AM (GMT)
 
>The Bad Brains would be easy to lip-synch - just throw up on
>the mic!

A Brilliant Quote - From someone who's never seen the Bad Brains

>I'm not a big "fake punk rock" fan: (from my "Ask Brett"
>area)

Evident by your lack of knowledge on the subject

>Thanks for your email, Scott! This is a sticky topic for me
>- but I never back down from anything.

Right, you back down from EVERYTHING

Have you ever noticed
>that when people start a new “trend” and that “trend”
>quickly fails they then call it “underground” – as if
>“everything is going along exactly as we planned!”

Based on your definition of failure. You mean like your journalism career?

NOW, TIME FOR A DEFINITION:
Underground = Situated, occurring, or operating below the surface of the earth: underground caverns; underground missile sites.

Hidden or concealed; clandestine: underground resistance to the tyrant.

Of or relating to an organization involved in secret or illegal activity: underground trade in weapons.

Of or relating to an avant-garde movement or its films, publications, and art, usually privately produced and of special appeal and often concerned with social or artistic experiment.

NOW BACK TO OUR REGULARLY SCHEDULED BASHING

We’ll
>that’s exactly what happened with “Punk Rock” and so-called
>“Hardcore.” A few dozen gay-bashing, ugly, talentless jocks
>assholes from Southern California, Washington, DC and New
>York City do not make for a “cultural movement.” There were
>a few bands, such as: The Germs, Black Flag, Minor Threat,
>Social Distortion, The Circle Jerks, The Misfits, Fear, and
>The Dead Kennedys. These bands had several things in common:
>1) they all were part of a terribly unsuccessful so-called
>musical movement in the early to mid 1980s. 2) They were all
>comprised of ugly hate-filled white guys who couldn’t get
>laid if their lives depended on it; and 3) they completely
>fucking sucked! Seriously, they couldn’t play a song to save
>their lives. Not one of these bands had a single hit song.
>Not one of these bands had an ounce of charisma! And most
>importantly – and proving my point – not one of these
>repressed-homo bands is around today!

I belive the Second Wave of American Punk bands were in the late 70's, The first wave (New York Dolls, Ramones, Dead Boys, Etc. was early 70's

Dead Kennedy's, Misfits (with your so-called buddy Marky Ramone playing Drums), Social Distortion, Circle Jerks, just to name a few, are still together and releasing new music and touring - Get your facts straight Fat ass
>
>However, you can attract just as many flies with shit as you
>can with honey… That being said there were a few kids in the
>1980s who thought it’d be cool to pretend to like these
>bands and embrace every pile of unimaginative crap they
>spewed. You know the kids I’m talking about. In fact,
>according to the latest census report there were three of
>these kids in every town: The tall and oafish Mexican kid
>with the “Misfits” shirt and “flock of seagulls” hairdo, and
>the black sweater tied around his waist; The skinny white
>guy with the leather jacket and nine-inch Mohawk who is
>afraid of a everything and looks like he’s seconds away from
>bawling his eyes out at all times; and last but not least,
>the chubby Filipino-Mexican girl with the sides of her head
>shaved and the black nubby nails. She’s usually sporting
>some hideous dress with black combat boots and cheesy black
>makeup. Basically these kids are the biggest fucking losers
>on the planet – so of course they’re going to love
>“Hardcore” because they’re just so…um... oh, whatever.

Another Racist Stereotyping bag of shit.

>My point is simple. The bands sucked, the music sucked, the
>fans sucked

YOU SUCK

– yet, no one had the balls to admit it! Why?
>Because none of them were cool enough to make up their own
>minds.

Making up their own minds was exactly what they did - If that means liking something that YOU don't enjoy listening to - It just shows how much of a "Follower" you are. In this day of "People don't know what they like, they like what they know" I find the punk movement very refreshing - By the way Tubby, Punk was an attitude before it was a musical genre.

There was no leader in this movement and therefore it
>went nowhere. As I stated before, if there was any validity
>to the music it would still be around today.

It is - But you have to get your head out of your "Clear Channel"

Pussy bands
>call them fags! Seals and Crofts, Kenny Loggins, hell, even
>the Captain and Tenille came before these “Hardcore” clowns
>and they beat the punks down into “forget me land!”

Do you blame them, after listening to hours of "Summer Breeze", "Danny's Song" and God Forbid "Love Will Keep us Together" that these folks decided to revolt. If these are the acts you find entertaining, then you have proven you don't know shit about music or your just a PUSSY (I'm voting for both) - BTW - The worst song in the world EVER!!!!! - Muskrat Love as performed by C&T

Do you
>think one punk band sold more than 5,000 records ever?

The list is just too fucking long but lets start with "The Ramones, Iggy and the Stooges, The Clash and the Sex Pistols...........

>Never! 100% documented fact.

What Document are you reading - Try Soundscan or the RIAA

The sad part is that you still
>find that one random asshole who looks back all the way to
>1985 and remembers the “good ol days.”

By 1985 the "Punk Revolution" was theoreticly over and engulfed in the "New Wave Movement"

They talk about the
>punk bands as if they’re describing something good or even
>relevant.

They were both part of the evolution to what we listen too now - Well, Everyone but the WJWC.

And to add insult to injury – they’re even lying
>about their lies. They’ll say: “Man, I remember me and my
>friends were at the Dead Kennedy’s show and there must have
>been like 6,000 kids all stage diving and shit – we were so
>wasted. It was crazy. They fucking played for like 3 hours.”
>Just try and verify any of the “facts” of one of those
>stories. The kid telling it is 28 years old, meaning he was
>11 years old at the time. The Dead Kennedys never played for
>more than 200 or 300 people ever during their entire
>careers. The kid lived in Omaha at the time, etc… You get my
>point.

Absolutely, since you've spouted the same shit over and over - Serving in Viet Nam, etc....all the same shit your bashing a fictious music fan for. Try Verifying anything on this pathetic site - Can't be done because it dosen't exist.
>
>Punk rock and its so-called “Hardcore” scene is the only
>failed cultural movement that cannot admit that is did not
>succeed.

That's because it did succeed you Moron and opened doors for U2, Talking Heads, Blondie, Television, the Cure,

“Break Dancing” was 1,000 times more effective as
>an art form than anything from those punk bands.

I don't know where you hang out Tubby, but I haven't seen anyone Breakdance since the 80's but I did hear I Wanna be Sedated" on the radio yesterday.


The music
>blew, the bands blew and so did the fucking sheep-like fans
>that helped perpetuate this pathetic myth.

Hey Tubby, in the 60's it was called "CounterCulture" - Oh yeah, you weren't born yet.
Ask any of these
>so-called “punk” fans to name some of their heroes and
>chances are maybe one of them might possibly utter Henry
>Rollins name. Why do they remember him? Cause he was like
>the third or fourth singer for the most over-rated band on
>the planet? No they probably remember him from his very
>“hardcore” role in the 1998 movie “Jack Frost” starring
>Michael Keaton! That’s right - Hey all you “hardcore” fans,
>stop burning the blacks and stomping the Jews long enough to
>watch your punk idol Henry talk to a freaking snowman.


Tell me about the bands that bash Blacks and Jews.
What Punk Rock were you listening too? Rammstein? They aren't punk they're metal - Know the difference. Punk was about economic decline in the lower class.

Maybe
>he’ll stage dive from a snow bank! Anarchy, indeed!
>
>I know Henry. He’s a nice guy.

Then he should break you in half for that last paragraph - People grow up, their priorities change, they want to better themselves (3 things you probably have no concept of) - I applaud HR for speading his wings and getting the credit he deserves as a musician, poet and actor - BTW he's done more than "Jack Frost" dumbass

But even he knows the whole
>thing was a farce.

The whole music industry is a farce - What? did you just fall off the truck?

As for the rumors of Henry being gay.
>They’re false. He dates women. Although the fact that he
>writes poetry, lifts weights and likes to jump into piles of
>shirtless sweaty men probably doesn’t help.

WTF - What difference does his sexcual preference make? I would pay big bucks to see the 5 seconds it would take HR make you wish you never uttered his name. He's a very nice guy, (I've met him too, asshole) with an opinion that dosen't agree with yours (whose does?). He also can be very angry and I'm sure if he saw this post, he'd be knocking on your door in about 5 minutes and it wouldn't be to dive on your shirtless, sweaty body.

In short, the
>whole punk rock and hardcore scene was and is in fact indeed
>"underground" -

See Definition above.

as in, dead and buried like a faceless hobo
>who died on a street corner in a puddle of his own feces.

Spoken from Experience?

I
>hope this helped answer your question. ;=)

The only question this answered, has already been answered.

Brett (Whopper Junior with Cheese, and would you like fries with that) is a totally uneducated, ignorant, douchebag with way too much time on his hands and not enough brains to do anything about it
>
>Piece of shit - Brett

BTW Tubby - Who's Scott?

Fitz

Doing my best to rid the world of the "Fraudulent Four" one personality at a time


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Brett Meisneradmin
Member since 9-10-02
1474 posts
10-27-04, 11:16 PM (GMT)
Click to EMail Brett%20Meisner Click to send private message to Brett%20Meisner Click to view user profileClick to add this user to your buddy list  
18. "RE: Ashlee Simpson Video Clip"
In response to message #17
 
>>The Bad Brains would be easy to lip-synch - just throw up on
>>the mic!
>
> A Brilliant Quote - From someone who's never seen the Bad
>Brains
>
>>I'm not a big "fake punk rock" fan: (from my "Ask Brett"
>>area)
>
>Evident by your lack of knowledge on the subject
>
>>Thanks for your email, Scott! This is a sticky topic for me
>>- but I never back down from anything.
>
>Right, you back down from EVERYTHING
>
>Have you ever noticed
>>that when people start a new “trend” and that “trend”
>>quickly fails they then call it “underground” – as if
>>“everything is going along exactly as we planned!”
>
>Based on your definition of failure. You mean like your
>journalism career?
>
>NOW, TIME FOR A DEFINITION:
>Underground = Situated, occurring, or operating below the
>surface of the earth: underground caverns; underground
>missile sites.
>
>Hidden or concealed; clandestine: underground resistance to
>the tyrant.
>
>Of or relating to an organization involved in secret or
>illegal activity: underground trade in weapons.
>
>Of or relating to an avant-garde movement or its films,
>publications, and art, usually privately produced and of
>special appeal and often concerned with social or artistic
>experiment.
>
>NOW BACK TO OUR REGULARLY SCHEDULED BASHING
>
>We’ll
>>that’s exactly what happened with “Punk Rock” and so-called
>>“Hardcore.” A few dozen gay-bashing, ugly, talentless jocks
>>assholes from Southern California, Washington, DC and New
>>York City do not make for a “cultural movement.” There were
>>a few bands, such as: The Germs, Black Flag, Minor Threat,
>>Social Distortion, The Circle Jerks, The Misfits, Fear, and
>>The Dead Kennedys. These bands had several things in common:
>>1) they all were part of a terribly unsuccessful so-called
>>musical movement in the early to mid 1980s. 2) They were all
>>comprised of ugly hate-filled white guys who couldn’t get
>>laid if their lives depended on it; and 3) they completely
>>fucking sucked! Seriously, they couldn’t play a song to save
>>their lives. Not one of these bands had a single hit song.
>>Not one of these bands had an ounce of charisma! And most
>>importantly – and proving my point – not one of these
>>repressed-homo bands is around today!
>
>I belive the Second Wave of American Punk bands were in the
>late 70's, The first wave (New York Dolls, Ramones, Dead
>Boys, Etc. was early 70's
>
>Dead Kennedy's, Misfits (with your so-called buddy Marky
>Ramone playing Drums), Social Distortion, Circle Jerks, just
>to name a few, are still together and releasing new music
>and touring - Get your facts straight Fat ass
>>
>>However, you can attract just as many flies with shit as you
>>can with honey… That being said there were a few kids in the
>>1980s who thought it’d be cool to pretend to like these
>>bands and embrace every pile of unimaginative crap they
>>spewed. You know the kids I’m talking about. In fact,
>>according to the latest census report there were three of
>>these kids in every town: The tall and oafish Mexican kid
>>with the “Misfits” shirt and “flock of seagulls” hairdo, and
>>the black sweater tied around his waist; The skinny white
>>guy with the leather jacket and nine-inch Mohawk who is
>>afraid of a everything and looks like he’s seconds away from
>>bawling his eyes out at all times; and last but not least,
>>the chubby Filipino-Mexican girl with the sides of her head
>>shaved and the black nubby nails. She’s usually sporting
>>some hideous dress with black combat boots and cheesy black
>>makeup. Basically these kids are the biggest fucking losers
>>on the planet – so of course they’re going to love
>>“Hardcore” because they’re just so…um... oh, whatever.
>
>Another Racist Stereotyping bag of shit.
>
>>My point is simple. The bands sucked, the music sucked, the
>>fans sucked
>
>YOU SUCK
>
>– yet, no one had the balls to admit it! Why?
>>Because none of them were cool enough to make up their own
>>minds.
>
>Making up their own minds was exactly what they did - If
>that means liking something that YOU don't enjoy listening
>to - It just shows how much of a "Follower" you are. In this
>day of "People don't know what they like, they like what
>they know" I find the punk movement very refreshing - By the
>way Tubby, Punk was an attitude before it was a musical
>genre.
>
>There was no leader in this movement and therefore it
>>went nowhere. As I stated before, if there was any validity
>>to the music it would still be around today.
>
>It is - But you have to get your head out of your "Clear
>Channel"
>
>Pussy bands
>>call them fags! Seals and Crofts, Kenny Loggins, hell, even
>>the Captain and Tenille came before these “Hardcore” clowns
>>and they beat the punks down into “forget me land!”
>
>Do you blame them, after listening to hours of "Summer
>Breeze", "Danny's Song" and God Forbid "Love Will Keep us
>Together" that these folks decided to revolt. If these are
>the acts you find entertaining, then you have proven you
>don't know shit about music or your just a PUSSY (I'm voting
>for both) - BTW - The worst song in the world EVER!!!!! -
>Muskrat Love as performed by C&T
>
>Do you
>>think one punk band sold more than 5,000 records ever?
>
>The list is just too fucking long but lets start with "The
>Ramones, Iggy and the Stooges, The Clash and the Sex
>Pistols...........
>
>>Never! 100% documented fact.
>
>What Document are you reading - Try Soundscan or the RIAA
>
>The sad part is that you still
>>find that one random asshole who looks back all the way to
>>1985 and remembers the “good ol days.”
>
>By 1985 the "Punk Revolution" was theoreticly over and
>engulfed in the "New Wave Movement"
>
>They talk about the
>>punk bands as if they’re describing something good or even
>>relevant.
>
>They were both part of the evolution to what we listen too
>now - Well, Everyone but the WJWC.
>
>And to add insult to injury – they’re even lying
>>about their lies. They’ll say: “Man, I remember me and my
>>friends were at the Dead Kennedy’s show and there must have
>>been like 6,000 kids all stage diving and shit – we were so
>>wasted. It was crazy. They fucking played for like 3 hours.”
>>Just try and verify any of the “facts” of one of those
>>stories. The kid telling it is 28 years old, meaning he was
>>11 years old at the time. The Dead Kennedys never played for
>>more than 200 or 300 people ever during their entire
>>careers. The kid lived in Omaha at the time, etc… You get my
>>point.
>
>Absolutely, since you've spouted the same shit over and over
>- Serving in Viet Nam, etc....all the same shit your bashing
>a fictious music fan for. Try Verifying anything on this
>pathetic site - Can't be done because it dosen't exist.
>>
>>Punk rock and its so-called “Hardcore” scene is the only
>>failed cultural movement that cannot admit that is did not
>>succeed.
>
>That's because it did succeed you Moron and opened doors for
>U2, Talking Heads, Blondie, Television, the Cure,
>
>“Break Dancing” was 1,000 times more effective as
>>an art form than anything from those punk bands.
>
>I don't know where you hang out Tubby, but I haven't seen
>anyone Breakdance since the 80's but I did hear I Wanna be
>Sedated" on the radio yesterday.
>
>
>The music
>>blew, the bands blew and so did the fucking sheep-like fans
>>that helped perpetuate this pathetic myth.
>
>Hey Tubby, in the 60's it was called "CounterCulture" - Oh
>yeah, you weren't born yet.
>Ask any of these
>>so-called “punk” fans to name some of their heroes and
>>chances are maybe one of them might possibly utter Henry
>>Rollins name. Why do they remember him? Cause he was like
>>the third or fourth singer for the most over-rated band on
>>the planet? No they probably remember him from his very
>>“hardcore” role in the 1998 movie “Jack Frost” starring
>>Michael Keaton! That’s right - Hey all you “hardcore” fans,
>>stop burning the blacks and stomping the Jews long enough to
>>watch your punk idol Henry talk to a freaking snowman.
>
>
>Tell me about the bands that bash Blacks and Jews.
>What Punk Rock were you listening too? Rammstein? They
>aren't punk they're metal - Know the difference. Punk was
>about economic decline in the lower class.
>
>Maybe
>>he’ll stage dive from a snow bank! Anarchy, indeed!
>>
>>I know Henry. He’s a nice guy.
>
>Then he should break you in half for that last paragraph -
>People grow up, their priorities change, they want to better
>themselves (3 things you probably have no concept of) - I
>applaud HR for speading his wings and getting the credit he
>deserves as a musician, poet and actor - BTW he's done more
>than "Jack Frost" dumbass
>
>But even he knows the whole
>>thing was a farce.
>
>The whole music industry is a farce - What? did you just
>fall off the truck?
>
>As for the rumors of Henry being gay.
>>They’re false. He dates women. Although the fact that he
>>writes poetry, lifts weights and likes to jump into piles of
>>shirtless sweaty men probably doesn’t help.
>
>WTF - What difference does his sexcual preference make? I
>would pay big bucks to see the 5 seconds it would take HR
>make you wish you never uttered his name. He's a very nice
>guy, (I've met him too, asshole) with an opinion that
>dosen't agree with yours (whose does?). He also can be very
>angry and I'm sure if he saw this post, he'd be knocking on
>your door in about 5 minutes and it wouldn't be to dive on
>your shirtless, sweaty body.
>
>In short, the
>>whole punk rock and hardcore scene was and is in fact indeed
>>"underground" -
>
>See Definition above.
>
>as in, dead and buried like a faceless hobo
>>who died on a street corner in a puddle of his own feces.
>
>Spoken from Experience?
>
> I
>>hope this helped answer your question. ;=)
>
>The only question this answered, has already been answered.
>
>Brett (Whopper Junior with Cheese, and would you like fries
>with that) is a totally uneducated, ignorant, douchebag with
>way too much time on his hands and not enough brains to do
>anything about it
>>
>>Piece of shit - Brett
>
>BTW Tubby - Who's Scott?
>
>Fitz
>


Both of these kids have trust funds and couldn't name a Bad Brains song if there sad lives depended on it. They might know one Thompson Twins song at best, but otherwise... typical "punk" fans.

I win again...

Brett

"Brett Meisner has helped to put the 'rock' back into 'rock and roll' forever!" - Kurt Loder, MTV 2003

=========

TV: "Dead Famous"-- http://www.rockandrollbadboy.com/TV/brettmeisner_300k.wmv

TV: "VH1 Pilot"-- http://www.rockandrollbadboy.com/vh1/r rbb_vh1_pilot_submission1_256k.wmv

RADIO: "K-TIDE" 99.9 FM-- http://www.rockandrollbadboy.com/audio/brett_ktyd.mp3

PAPER: "New York Post"-- http://entertainment.iwon.com/celebgossip/pgsix/id/09_03_2002_11.html

BOOKS: "30 Odd Years"-- http://www.rockandrollbadboy.com/store.html

MOVIES: FIRST FEATURE FILM - oCTOBER 2004: http://www.imdb.com/name/nm1660133/


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Fitz
Member since 8-12-04
351 posts
10-28-04, 04:13 AM (GMT)
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19. "RE: Ashlee Simpson Video Clip"
In response to message #18
 
   Hey WJWC, Burger Boy, Assclown

At least I take some time to respond to your inane drivel in an intelligent discouse. and you're gonna throw up a shot of 2 models that isn't even your pic and tell me I'm "OWNED".

You're a sad,sad, Pathetic man.

Country, Rockabilly, Soul, Funk, Punk, New Wave, Jam, Grunge, Metal, Rap - All origonally Counter-culture Genre's that have been absorbed and accepted by Society (not just a fraction but society as a whole) and evolved to where we are now! You can't see this dumbass?

Here's some words of wisdom to live by WJWC (not that I care if you live or die).

and I paraphrase......

"better to keep your mouth closed and be thought a fool than open it and remove all doubt" Whoops - Too Late

So unless you have something intelligent to say to me, Park it on the couch, turn on Jerry Springer, and pour yourself a piping hot cup of SHUT THE FUCK UP.

Your enemy

Fitz

Doing my best to rid the world of the "Fraudulent Four" one personality at a time


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Biff
Member since 7-8-04
180 posts
10-28-04, 10:49 AM (GMT)
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20. "RE: Ashlee Simpson Video Clip"
In response to message #14
 
   >Well im sad to say that Katie Couric was soft on Ashlee and
>let her come up with yet another excuse (acid reflux)for the
>lip-synching. Im getting the feeling that the company that
>owns NBC also owns Ashlees label. I think its time for say
>RollingStone for instance to do a cover story like
>"Lip-synching Who does it, why and is it the death of real
>music" cause it used to be only a handful of "artists" who
>did it, now who knows how many live shows are faked. It
>makes me long for punk music from the 80s. I would love to
>see someone try to lip-synch to Bad Brains. I will give $10
>to whoever could pull that one off

Sadly, Rolling Stone is as much of a cog in the machine as Clear Channel, Virgin, MTV, SPIN magazine, etc. etc. Rolling Stone's format today is this:

1 left wing article
1 article on old bands
1 article on maybe Wilco or Modest Mouse
then--100 pages on "HOW TO MAKE YOUR MARRIAGE WORK LIKE JESSICA AND NICK AND BRITNEY AND FEDERLINE!" and "MADONNA'S NEW TOUR IS SO KOOL!" and "KOOL PUNK BANDS TO LISTEN TOO--ASHLEY SIMPSON AND GOOD CHARLOTTE!"

It's sad that the magazine that is named after a Dylan song and helped Springsteen nowadays is one of the sources of pop music. Kinda telling that they NEVER have had Ac/Dc on the cover, or KISS, but have had Britney and Xtina how many times???


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Fitz
Member since 8-12-04
351 posts
10-29-04, 04:21 AM (GMT)
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21. "RE: Ashlee Simpson Video Clip"
In response to message #20
 
   Hey Biff,

Ever Read CMJ?

Great Music Magazine and has a CD in every issue with 1 track from every band they review (usually 20+ tracks).

I've been turned on to so much cool shit from CMJ. It's what Rolling Stone should have been.
Check it out my friend - You'll be glad you did.

Fitz

Doing my best to rid the world of the "Fraudulent Four" one personality at a time


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Biff
Member since 7-8-04
180 posts
10-29-04, 07:06 AM (GMT)
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22. "RE: Ashlee Simpson Video Clip"
In response to message #21
 
   >Hey Biff,
>
>Ever Read CMJ?
>
>Great Music Magazine and has a CD in every issue with 1
>track from every band they review (usually 20+ tracks).
>
>I've been turned on to so much cool shit from CMJ. It's what
>Rolling Stone should have been.
>Check it out my friend - You'll be glad you did.
>
>Fitz
>
>Doing my best to rid the world of the "Fraudulent Four" one
>personality at a time

Sounds good, I think I will. The sad thing is, Rolling Stone still has decent articles, but after reading them you turn the page to see shit like: (both of these are examples that I made up, but I could see them really doing this)
Eminem's new single Mosh puts him up there with Young, Dylan, and Taylor as socially conscious artist, or Nelly's Sweat/Suit is a double release that when put together sits up there with The White Album and Exile on Main Street!


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